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Phil Mansfield

Great coaches are not always known for being the best with e-mail, scheduling, and calendars.

I’d had an intermittent e-mail thread going with Phil Mansfield and James Jowsey about scheduling a podcast or webinar for several weeks – but we’d never managed to nail down a time. Travel schedules for competitions like the Dubai CrossFit Championship and Wodapalooza – as well as time differences between the United States and Europe – impeded our progress in getting something scheduled.
For those who don’t know, Phil is a multi-disciplinary coach with a history competing and/or coaching in rugby, cycling, swimming, triathlon and more. In the CrossFit world, he is best known as the coach to multi-time CrossFit Games podium finisher Sara Sigmundsdottir.

But, sitting in the lounge at the Intercontinental Hotel across the street from Bayfront Park at Wodapalooza, I saw Phil walking past and shouted him down.

Rather than re-entering the chaotic fray of attempting to align international calendars, we picked a time early the next morning to do a recorded, audio discussion on coaching.
We snuck into a conference room that we didn’t belong in, and had a great discussion on Phil’s perspectives on building mental toughness in athletes and how to rebuild athletes who have been “fast-tracked” and skipped key stages of development.

Check out the full conversation with Phil to learn:

  • How pretty much all training can be broken down into two categories – skill acquisition training and threshold training – and how he find the appropriate balance between each
  • How athletes can back off from focusing on their immediate training results and detach their identity from their results so that they can focus on getting better long-term
  • His best trick and exercise for teaching mental toughness and self-awareness in competition – and how he progresses athletes from developing the capacity for self-reflection to being able to apply this skill on the competition floor

Listen below – or in the podcast player of your choice.

Listen Here

Check out more from Phil and RedPill Training

Show Notes

  • [00:14] A proper coffee
  • [01:34] What are the consequences of fast tracking an athlete – and having someone who is very good in sport but who has skipped steps during athletic development?
  • [06:04] Almost all training can be broken down to either working on skill acquisition or threshold training.
  • [09:51] How to find the appropriate amount of variation in skill acquisition training. “Once we say ‘for time’ everything changes.”
  • [20:49] How do you convince an athlete to potentially back off and focus on rebuilding if they’ve “skipped steps” in their development?
  • [33:18] The value of mindset coaching in competitive sport – and where a lot of people go wrong with their approach to mental toughness.
  • [44:04] How do you help athletes create organization and structure for their thoughts? And how do you translate practicing meta-cognition into training and competing?

Links and Resources Mentioned

Assault Bike

As soon as someone training in CrossFit gets past that initial hump and starts to see some improvements in their training results, a common question starts to haunt their thoughts.

A question vocalized by Peter Steele in Type O Negative’s 1996 classic “Love You to Death.”

“Am I good enough?”

And….”How long until I get good?”

Like most of these kinds of questions, there’s not a clear cut answer. But there are some lessons to be learned from the typical trajectory of development observed for thousands of athletes over time.

There are also some psychological quirks involved that can trick athletes and give them a distorted perspective on their improvement and what their maximum potential may be – and these tricks function in both the positive and negative direction.

In this conversation, Jon, Luke and Todd discuss:

  • The hedonic treadmill – or Assault runner – of adaptation, and why it feels like yo’ure always just short of being at the level that you want to compete at
  • The fast feedback loop of the internet and social media and why this may be great for elevating performance…but terrible for fulfillment and sense of well-being
  • A disagreement in how long it typically will take for an athlete to be able to transition from beginning CrossFit into doing full fledged “competitive” training
  • And finally…Jon’s philosophy of coaching based upon disappointment, regret & shame

Listen below – or in the podcast player of your choice.

Listen Here

Brigham Squat Clean

You’ve probably heard of the 10,000 hour rule.

And it probably sounded really good.

Put in 10,000 hours of work and become a world class expert at anything!

Problem is, the common explanations of the 10,000 hour rule miss the mark.

The rule originally came from some of Anders Ericsson’s research on deliberate practice and world class performers – then gained notoriety through Malcolm Gladwell’s distillation of the rule in his book “Outliers.”

Now, we’ve got all kinds of goofballs throwing around the “10,000” number in CrossFit like it’s the secret to success.

Not only do they not understand the true discomfort of the deliberate practice concept (meaning that you have to spend an inordinate amount of time deeply focused and right on the edge of your ability with constant feedback and correction), but they’re also improperly applying a concept related to skill acquisition to a sport that is more determined by physiological adaptation (ie how quickly can you recover between a heavy set of power cleans, how much oxygen can you transfer in and out of your muscle cells while doing chest-to-bar pull-ups and burpees, etc.).

We’ve had enough!

In this conversation, Jon, Luke and Todd discuss:

  • Why the amount of data available on the performance of elite CrossFit athletes is both a blessing and a curse – and how people use this data to confuse themselves about where they sit relative to the elite
  • What are the true key performance indicators for CrossFit performance
  • Why adaptation to training over time isn’t linear – and why the rate of adaptation is true “talent”
  • And finally…why everyone should quit talking about 10,000 hours
  • Listen below – or in the podcast player of your choice.

    Listen Here

Andy Edwards started CrossFit back in the days before Reebok. When every workout video on featured people just absolutely sprinting out of the gate on every workout...and dramatically redlining 45s in. This is before the time of Instagram. Before sponsorships, gymnastics grips, kinesio tape, and the Open. Before you could just log on to … Continue reading "Finding Intensity in Training | Webinar with Andy Edwards of Dragon CrossFit"

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Amanda Heuser on the Assault Bike

The training of many elite athletes involves seemingly endless intervals suffering on the assault bike and the erg.

While there seems to be a general understanding now that the flashy 1RM PRs clogging up our Instagram feeds don’t necessarily translate into improve performance in the sport of CrossFit – what about the long hours of grunt work spent rowing, running, biking and skiing?

Are you wasting your time sweatin’ to the oldies on the assault bike? Does hard work actually pay off here?

There is certainly value in putting in work in cyclical modalities, and we use running, rowing, biking, etc. regularly in the training programs for our clients.

However, the link between improving aerobic capacity in something like a 5k row and getting better at twenty minutes of burpee box jumps and DB snatches is a bit more tenuous than one might think.

So, how should we think about integrating running and rowing into our programming?

Is it enough to do some “CrossFit metcons” and layer an interval-based endurance program on top of that?

What is the relationship between improving scores on tests of cyclical aerobic capacity (like a 2k row, 3k run or 10 min assault bike test) and improving mixed modal tests (like Open workout 18.1, 17.1, or named workouts like Kelly or Eva)?

In this conversation, Luke and Todd discuss:
•How cyclical pieces like running and rowing can be used to teach pacing and improve the ability to be sustainable for powerful athletes
•When aerobic capacity is a limiting factor for performance – and when it is not
•The difference between building an aerobic base and training with cyclical modalities to improve performance in CrossFit

Listen below – or in the podcast player of your choice.

Listen Here

Trying to string together consecutive reps on toes-to-bar?

Whether you’re a beginner or a CrossFit veteran, you may be asking yourself, “Why can’t I get more than one rep at a time?”

Or, “Why am I swinging all over the place?”

Or even, “Why can’t I do toes-to-bar?”

Searching for the answer online can lead to all kinds of random drills (that require you to rig up six different bands and two plyo boxes) or lame, contextless cues to “stay tight”. But how does that really help you? How do you figure out what to focus on?

Through coaching thousands of athletes, we have some insight into what matters and what doesn’t for improving kipping toes-to-bar.

What does matter?
• Timing
• Rhythm
• Control

What doesn’t matter?
• Being super strong (strength is only part of the equation)
• Having rock hard abs
• Being a professional CrossFit athlete.

The equation for an athlete to get consecutive toes-to-bar reps looks like this:

Strength + Mobility + Technique (Particularly Rhythm & Timing) = Consecutive Toes-to-bar Reps

We’ve identified the six most common reasons why athletes tend to struggle with linking toes-to-bar reps.

Click below to skip to the section that applies to you:

Note that – while you may struggle with more than one of these – it’s important to recognize which piece is the limiting factor. If you don’t have adequate strength to control yourself on the backswing from your first rep, it doesn’t really matter how much technique work you do. You’ve got to get stronger first!

Also, figuring out the progression that will lead to you being able to string together toes-to-bar isn’t going to come from a few tips applied intermittently or episodically. It’s going to come from consistent effort and iteration so that you’re always pushing yourself just outside of your current comfort zone with the movement.



If you’re not strong enough to control the positions necessary for stringing together consecutive reps on toes-to-bar, you’re going to have to get stronger before your technique work will pay off.

The backswing of the kip heavily utilizes the stretch reflex through the shoulders and the core to “snap” an athlete back into position to make contact with the bar.

However, if there is no eccentric control (meaning the ability to control the “lowering” phase of the movement), it’s very difficult to “catch” any of that energy as you’re coming down. So, rather than snapping back up to the bar like a rubber band, an athlete will feel “clunky” or “loose” as they hit the backswing on their second attempt.

Think of this like a rebounding box jump.

If you’ve been doing CrossFit for some amount of time, you’ve probably disregarded the long-term interests of your Achilles tendons and done your fair share of rebounding box jumps off of a 24″ or 20″ box. And, you may even be able to do a rebounding box jump off of a 30″ box.

However, if I asked you to do a rebounding box jump off of a 50″ box, there’s a good chance you wouldn’t be able to do it.

How come?

The force that we’re asking your leg muscles and connective tissues to absorb when jumping off of 50″ is simply too much to be controlled effectively and turned around into another jump.

We see the exact same thing on toes-to-bar.

Some athletes have no problem stringing together hanging leg raises or “toes almost to bar.” However, when they attempt to control the swing from a true toes-to-bar, the force is too high for them to control the bottom position.


So, what can we do to build the eccentric strength to properly control the backswing of the kip in a full toes-to-bar?

Isometric work and strict toes-to-bar variations tend to be the best way to build this strength.

By slowing down and “owning” each phase of the movement, it will be easier to control the lowering phase when we make the movement more dynamic through kipping.

Step 1 – Seated Straight Leg Lift
Sit on the ground with your legs straight out in front of you. Place your hands on the ground and lift your legs up, around 6-9″ off the ground. Work on these until you can perform 2-3 sets of 15-20 reps without needing to break. Once you’ve mastered these move on to step 2.

Step 2 – Bar L Hang
Hang from the bar and bring both feet up together until your legs are parallel to the ground. Work to hold a very slight hollow position through your core with your legs stationary in front of you. Work 2-3 times per week to accumulate 1:00-1:30. Once you’re able to accumulate 1:30 in no more than 3 sets move on to step 3.

Step 3 – Strict Toes to Bar Negatives
While hanging from the bar kip your toes up to make contact with the bar. When they reach the top control the decent taking a :05 count to lower them, at an even pace, until you’re hanging back at full extension. Work 4-5 sets of 3 reps until you have an even tempo and perfect control, then move to step 3.

Step 4 – Strict Toes to Bar
Hang from the bar and without kipping or reaching your feet behind you, pull your toes up to make contact with the bar and lower down with control. Your feet should never come behind the bar. Work until you can hit 3 sets of 5+ perfect reps

If you can do solid sets of strict toes-to-bar, you can be relatively certain that lack of eccentric strength and control is not your limiting factor in terms of stringing together multiple reps.



In order to get the toes to make contact with the bar, we need significant amounts of hip flexion.

Some people will feel like their hamstrings are too “tight” to do toes-to-bar.

Others will get some pretty wild situations where their knees bend way out and they do some sort of complicated curling mess to get their toes to the bar.

What’s usually happening in both of these situations is that the athlete is lacking either range of motion or motor control over hip flexion (the ability to bring the knees to the chest).

While a detailed discussion on hip flexion is out of the scope of this article, it is important to understand that – if you have inadequate range of motion or an inability to access your range of motion – you will be fighting your own body every step of the way as you try to improve your capacity on toes-to-bar.

For some quick ideas on assessing hip flexion range of motion, check out Adam Kelly’s video following the SFMA (Selective Functional Movement Assessment) protocol for multi-segmental flexion dysfunction.


Suffice it to say, if you have a hard time touching both of your thighs to your chest while laying on your back, you are going to have a hard time smoothly making contact with the bar during toes-to-bar.

If this is you, your best bet is to find a local therapist who can perform a detailed evaluation on you and suggest a treatment plan.

If you don’t have access to a qualified therapist, I hesitate to make recommendations for movement issues in a blanket sense, but some of these drills will probably be helpful for you and are unlikely to do harm.

Most people who are struggling to create end range of motion hip flexion will randomly stretch their hamstrings and their hip flexors.

While there is a time and a place for stretching, this is probably not the best use of your time for improving range of motion and motor control in the hips.

Instead, most people need to figure out how to get their pelvis to rest in a neutral position and gain motor control over the hips without excessive gripping in the hip musculature or tilting of the pelvis (either posteriorly or anteriorly).

Again, this is a complicated issue, but a quick routine focused on the following exercises as a warm-up and/or a cool down is probably safe for most individuals and may help.

Standing Reverse Reach – 3 sets of 5 deep breaths
The goal of this exercise is to reposition the pelvis and the spine and to inhibit some of the musculature that tends to pull athletes into an overextended position. This overextended position makes it very difficult to have good motor control over the hips and the pelvis.

Dead Bugs – 3 sets of 10 alternating reps
The dead bug is a favorite and a simple way to work on controlling the pelvis and the ribcage through the breath and the anterior core.

Don’t think of this as a “strengthening exercise” so much as “practicing the ability to control the ribcage and pelvis under load.”

Cook Hip Lift – 3 sets of 8/side
The Cook Hip Lift is intended to create better motor control of the hips by locking the lumbar spine in position (to avoid extending and flexing through the back instead of through the hips).

Since one hip is moving into extension while the other is held in flexion, this is a neurologically challenging exercise and can create a much better intuitive control of the hip joints.

Hip Controlled Articular Rotations – 3 sets of 3/side in each direction
The goal of the hip controlled articular rotations is to give your brain feedback on your hip joints and develop motor control over the area.

By moving the hip through full range of motion in both directions, we are essentially building a more robust and adaptable map of the hip joint which can help better control the joint through its range of motion.

Note that – especially if you have any pinching or irritation in the hips – the goal is not to push into pain. If you feel discomfort doing this exercise, stop short of the range of motion that creates the pain sensation.

While inadequate hip range of motion or motor control is often a persistent and frustrating issue, this is at least a starting point for improving your ability to access end range of motion hip flexion.



Many people think of the toes-to-bar as an “ab” exercise. And, to be fair, most people will feel this in their abs as they do a lot of reps.

However, for athletes who struggle to link reps together or who struggle to actually make contact with the bar with their toes, they’re often missing the ability to tilt their torso backwards through their shoulders as they get their toes up to the bar.

This can leave them in the position where they’re kicking their feet high in the air – but just missing the bar itself.


In order to create the proper torso angle, the shoulders must actually move into extension – which means that the shoulder angle closes and the athlete’s torso tilts backward (so that they’re looking more at the ceiling) as the kick up to make contact with the bar.

The common cue of “push down on the bar” often heard in pull-ups or bar muscle-ups is equally applicable here. If an athlete is not engaging the shoulder extensors (mostly the lats, but also triceps and the teres minor and major), they will simply not be at an appropriate angle to be able to make contact with the bar.

In some athletes – particularly those who have a tendency towards hypermobility – we will see an interesting phenomenon where they are able to create solid layback through the shoulders and solid hip flexion from a hanging position, but are seemingly incapable of doing both simultaneously.

What may be happening here is that those athletes do not have solid control over the layback position, so they are getting some type of inhibition or “shut off” of their hip flexors and abs which prevents them from creating hip flexion.

In order to work on this, try doing some drills on the bar where you focus on pushing “down” on the bar to tilt the torso backwards while bringing the knees up.



Lack of effort is often not a problem in CrossFit gyms.

There are few places where you can find a group of people more eager to push themselves to absolute failure during a training session.

Flopping around on the ground after a conditioning session? Awesome.

Grunting, grinding, and popping blood vessels in your forehead while hitting an 8RM back squat? Incredible.

While the ability to “try hard” is certainly valuable, it’s often overdone during technical movements like toes-to-bar.

In order to get a good kipping rhythm, there is a balance between tension and relaxation. Being too relaxed at the wrong time will make the movement sloppy and loose, and being too tense at the wrong point will make the movement grindy and awkward.

Many athletes feel that they have to create maximum tension to get their toes to the bar. And, in some cases, they do.

However, if each rep is involving maximum contraction, there’s almost no chance of finding a smooth, rhythmic kip.


To work on this, the best thing to do is to scale the movement back to a degree of difficulty where it can be completed successfully and smoothly without excessive gripping.

A good rule of thumb to use here is that you should be able to complete the movement without making “exertion faces.”

It’s also often tricky for these individuals to understand that “more effort” doesn’t always mean “better workout.”

Taking a step back from maximum tension on every rep in order to improve technique and efficiency will indeed make you better in the long run.

And, while this seems obvious on paper, there’s often an emotional component where athletes feel like they’re not maximizing their training sessions if they’re not trying as hard as possible the entire time. Sorry to call you out in a blog post, but it’s often true. The only real advice I have is “quit being a maniac” – and also consider taking up a meditation practice.

If you want to work on relaxing more through the toes-to-bar, practice in sets of 5 to a height at which you can maintain a smooth, rhythmic feeling.

If you can hit a set of 5, try to kick your feet a little bit higher on your next set. You will find a threshold past which you lose the rhythm of the movement and start “grinding” reps again.

The goal will be to play around near this edge and keep dancing above and below it in sets of 5. You will find that your control of the movement will change day-to-day, but – within a few weeks of consistent practice – you should see significant progress.



For many people, the first rep of their set of toes-to-bar sets them up for failure when they try to string together their second rep.

To keep the timing and rhythm of the kip, the athlete needs to make contact with the bar while their hips are still behind the bar.

If the hips drift in front of the bar while contact is being made, they’re not able to then direct their hips forward when the feet come back behind the bar in the kip.

This results in a full body swing and the feeling that they’re not strong enough to string reps together.

Check out the video below to see the difference in hip positions:


Take some video! Sometimes it can be hard to appreciate your body position during movements, but by filming yourself you can get a better understanding of your position.

If you have the requisite strength and mobility (as detailed above), simply changing your hip position as you make contact with the bar can be a game changer.



The most obvious part of the body moving during a kipping toes-to-bar is the legs.

They swing way back at the bottom of the movement – and, in some athletes, end up doing a crazy scorpion kick and almost hitting them in the back of the head.

Then, those legs fly up to bring the toes to the bar.

However, the toes-to-bar, when done properly, is really a delicate dance between the shoulders, the hips, and the knees.

Many athletes attempt to “fling” themselves at the bar using their hips, their knees, and their low back. But, they fail to understand how to get the shoulders involved in the movement which often leaves them struggling to make consistent contact with the bar.


In some cases, this is a substitute for inadequate strength.

In other cases, this is a misconception surrounding the mechanics of the movement.

Check out this breakdown of how to build the kip from the ground up focusing on the shoulders and the hips – rather than just swinging the legs.

– To work on your kip start from a dead hang position with feet together and your toes pointed. Imagine you’re trying to get your toes as far away from your hands as you can and squeeze your feet together.
– From there you’re going to work on a very small hollow to arch movement, allowing your feet to move about 12″ to start with.
– If you can maintain your rhythm then increase the distance of the kip, still focusing on pointing your toes. You should find you create some great tension and power from your hips and shoulder in this position.

Bar Position
– Work on pulling down on the bar as your feet come out in front of you, imagine you’re trying to pull the bar down to your toes. You should find you create a deep hollow position with your torso behind the bar.
– Increase the power of the kip and actively pull your feet high as they move in front of the bar.
– As your feet get higher, work to pull your torso and hips behind the bar as this allows more range of motion without increasing hamstring flexibility which can sometimes inhibit range of motion


While there’s potentially dozens of potential reasons that you could be struggling with linking together consecutive toes-to-bar, the most important thing to do is figure out what your individual limiting factor is and come up with a plan of attack to improve that issue.

The 6 faults above are the most common ones that we see – but that doesn’t mean that there aren’t more.

If you feel like you’re stuck and frustrated, you may be prioritizing the wrong toes-to-bar drills – or you may just not be patient enough to see progress. It’s always difficult to strike the right balance between persistence and consistency, and foolish stubbornness and determination.

If you want some feedback or have questions, drop us an email at or slide in our DMs on Instagram (

Struggling in the squat is not uncommon. "Yeah, I just need to get better mobility." But, what does that mean? Some band stretching drills? Some ROMWOD? Where exactly do you need mobility? Hips? Knees? Ankles? Many athletes understand that they need to work on and improve their mobility and movement quality to get into good … Continue reading "Hip Mobility & Hip Impingement | Webinar with Dr. Evan Osar of the Institute for Integrative Health & Fitness Education"

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Kristin Miller (CrossFit Mayhem)

Jon and I both worked with Kristin during the NPGL’s amateur GRID tournament – remember GRID? We put together a team of misfits and went out to LA to compete, and we actually did pretty well. We took second overall, which meant that we got an automatic bid to the next year’s tournament. Still waiting for that invite…

Kristin has gone on to make two CrossFit Games appearances with OC3 Black (in 2017) and CrossFit Mayhem Independence (in 2018). She will compete with CrossFit Mayhem Freedom in the 2019 season – which is shaping up to have quite the interesting structure.

Todd & Jon have a conversation with Kristin and discuss:
•How training is planned and structured at CrossFit Mayhem (Hint: There are minimal schedules and Rich programs every day on the fly)
•How Kristin went from starting CrossFit from distance running to competing at the CrossFit Games twice with OC3 Black and with CrossFit Mayhem Independence
•How important team dynamics are during competition – and how to prevent emotion from getting out of control during a competition

Listen Here

Show Notes

  • [0:14] How did Kristin end up at CrossFit Mayhem? And the anxiety of “trying out.”
  • [7:03] Commuting several hours to compete with OC3 in 2016
  • [13:19] Kristin’s dietary restrictions
  • [19:44] Getting started with competing in CrossFit
  • [23:42] What actually happens at Mayhem on a daily basis (There are no schedules)
  • [34:53] Mayhem athletes mostly train individually – so how do they develop the team communication skills necessary to compete?
  • [46:36] How is Mayhem approaching the changes to the 2019 CrossFit Games season?
  • [52:21] How do Mayhem athletes work on their own individual weaknesses while still training as a group?

Michele Fumagalli Rowing

In competitive CrossFit, most people tend to either consistently go out too hot on every workout (and have a melt down a few minutes in), or they tend to overpace everything and always feel like they had more in the tank to give.

Based upon this, a coach needs to be able to understand what kind of prescription will give each athlete what he or she needs in order to improve understanding of the appropriate effort for a given situation.

So, is the best way to do this by giving athletes freedom to feel things out? Or is it to give them prescribed paces and weights so that they have to learn how the feel when tasked with accomplishing a specific prescription.

Todd, Jon and Luke break down:
•Why the chaos of CrossFit can disrupt some of the principles of linear progression from traditional endurance and strength training models
•Why prescribed paces and weights can work to hold athletes back in training – so that they can spend their adaptation currency elsewhere
•How to know when athletes don’t know how to pace and need to learn to calm down – and when athletes overpace and need to learn to push themselves

Listen Here

George Sterner Muscle-Up

When it comes to “effort” in skill training, it seems that less is more.

Athletes who compete in CrossFit often thrive on giving full effort. They enjoy the process of pushing themselves – and they also believe that, unless they’ve given everything they had in a session – that they did not maximize their time on the gym floor.

In skill acquisition, however, full effort is not necessarily full victory.

In fact, many athletes need to learn to relax as they perform skills like muscle-ups, handstand push-ups, and barbell cycling. Being too tense during workouts with high volumes of these kinds of movements is one of the easiest ways to get really, really tired.

It can be challenging for folks to take a step back and work on improving the quality of their movement through consistent, low intensity practice – and it can also be difficult for them to work on movement in an unstructured “play” type environment without prescribed reps and sets.

On this episode of the Legion podcast, Todd, Jon & Luke discuss the process of skill acquisition in CrossFit athletes:
•Why it’s dangerous to think that you’ve “graduated” past skill work
•The difference between purposefully training movement quality in a fatigued state vs attempting to acquire and improve skills
•The intuitive capacity of the best to correctly select an appropriate movement strategy for a specific demand – and why the rest of us need to work harder at this skill
•The value of unstructured skill work – and why this is so difficult to do for the archetypal CrossFit athlete

Listen Here